Showing posts with label Venice_Biennale. Show all posts
Showing posts with label Venice_Biennale. Show all posts

Venice Architecture Biennale 2016

May 31, 2016

Venice's 15th International Architecture Exhibition is mainly about mindful and sensible architecture. Curated by Pritzker laureate Alejandro Aravena, the exhibition wonderfully succeeds in reminding architects that the social good sector is exciting and worth the pursuit. It equally reminds commissioners that architects can make astounding contributions when it comes to shaping space and managing resources efficiently. 

The 2016 Biennale, titled REPORTING FROM THE FRONT, is a great attempt to engage everyone in the conversation on 'how to shape the places where we live'. While the show's focus is on projects that have addressed social, economic and environmental issues in a creative and bold manner, it also features projects of unusual beauty and interest. 

#1 Beauty and Sensuality
Wonderful the way Portuguese architect Aires Mateus explores space with light and shapes (picture above). His installation Fenda, which means slit, is a dark room where curvy section models carved in the walls are suggestively lit.  

Equality beautiful is Peter Zumthor's installation, a fragment from his future Los Angeles County Museum of Art (LACMA) filled with a colour gradation of fabric garment bags by designer Christina Kim. The project description reads: '...taking time as an antidote to homogeneity'. It refers to Zumthor's habit to spend more time than average in every project in order to achieve original work. Funnily enough, comedian John Cleese has exactly the same view on how to deliver original work.
Peter Zumthor and designer Christina Kim 

Sensuous is also how the Australian Pavilion feels. It pays tribute to Australia's pool culture by bringing in a shallow pool, some benches and the possibility to splash around and relax. 

The Pool, Australian Pavilion, by Aileen Sage Architects with Michelle Tabet

#2 Urban Planning
The German Pavilion explores the notion of Heimat and rethinks Germany as a welcoming nation for immigrants. Curated by the Deutsches Architekturmuseum (DAM) in collaboration with Doug Sanders, author of Arrival City, the exhibition identifies eight aspects key to an arrival city.
Making Heimat. Germany, Arrival Country (German Pavilion) by DAM with Something Fantastic

Very interesting the work of Raul Mehrotra and Felipe Vera on the increase and scale of what they call ephemeral urbanism. By this they mean temporary settlements like Kumbh Mela, the religious festival in India visited by 100 million people in 55 days. Or La Piste Camp in Haiti, where in 2010 the US military transformed what was once an airstrip into a temporary settlement for the victims of the flood.

Kumbh Mela tent city in India. 2,000 hectare. Photo: Felipe Vera

The Dutch Pavillion focuses on the legacy of peacekeeping missions and how these could become a catalyst for local development, moving away from being shut off from their direct surroundings and from making no contribution to improving the lives of the inhabitants of the region. 

Design for Legacy by the architecture think tank FAST suggests a four-step strategy to gradually open up these camps and share resources and knowledge with the local community. Step 1 would see the establishment of relationships while the camp is built. In step 2, the periphery of the base can be used as an interface with the local community either by providing there medical treatment or access to water, food and electricity. In step 3, when the political situation has stabilized, a shared space between the city and the base is created where the peacekeepers and the local community can develop projects together. Step 4 presents the post-mission model when the base is handed over to the local community.

 Camp Castor and other UN camps in Gao, Mali. Together they account for a third of the territory of the city. 

Setting up Camp Castor, Gao, Mali. Photo: Dutch Ministry of Defence

Four-step strategy to integrate a military compound to a city by FAST 

#3 Public Space
There were extraordinary examples of new and reclaimed public spaces. The city of Medellin in Colombia, for instance, has created new public spaces in the fenced and dark patches of land surrounding water and energy infrastructure. Through the UVA or Unidades de Vida Articulada (Units of Articulated Life) programme, the city has converted thirty-seven water tanks into 'socio-technical landscapes' while maintaining a fully functional infrastructural network.  The new public spaces are beautifully designed -some with plays of light and jets of water- and include auditoria and open air theatres, picnic areas and cafeterias, playgrounds and sport courts, even launderettes. In some neighbourhoods, the UVA interventions have provided the first and only public space available to the community.  

UVA Versalles, Medellin by EPM Group (public companies of Medellin). Photo: EPM
Architect Francis Kéré envisions a new square in Ouagadougou,  Burkina Faso, that includes the façade of the adjacent building to its public space. The new National Assembly, also by Kéré, is a massive stepped pyramid that people can climb to enjoy unique vistas over the town. The stepped façade allows views into the building and includes balconies for small-scale agriculture.

New Parliament Building in Ouagadougou, Burkina Faso by Kéré Architecture

A series of small light pavilions is what SANAA proposes to rescue a Japanese island from abandonment. Once a thriving island thanks to its stone and copper industries, Inujima is now home to an elderly population of just under 50 people. The idea is to turn the island into a creative platform -hosting art and performance workshops for both residents and temporary inhabitants- through small and modest interventions.
Unijima Island Landscape Project, Japan by Sanaa

How should new public squares in rural areas be like? According to the Norman Foster Foundation they should be multifunctional and provide the infrastructure that is missing in the area. Foster's Droneport project proposes a mini airport for drones cargo delivery in areas that lack of transport infrastructure. The buildings are a series of modular vaults made with earth based products by the local community and include a social hub, a clinic, a market and a post office.

Droneport in Rwanda by Foster & Partners

Prototype vault for the droneport by Foster and Partners

#4 Low-Cost Buildings
The Golden Lion for best pavilion has been awarded to Spain for the exhibition Unfinished. It shows the unusual architecture that has emerged in the country in the aftermath of the financial crisis. 

Spanish Dream 2011 by Colectivo Cadelas Verdes

Spanish Dream 2011 by Colectivo Cadelas Verdes

Casa Collage by Bosch Capdeferro Arquitectura

The studio ZAO/standardarchitecture from China has built a mock-up of the two small constructions they've designed for a courtyard refurbishment in BeijingThe constructions pick up the traditional add-on structures of the Hutong courtyards, the public space where families add their home extensions. The constructions are a 9m2 children library made of concrete mixed with Chinese ink and a 6m2 art space made with traditional bricks.

Children's library, Cha'er Hutong courtyard, Beijing by ZAO/standardarchitecture

Mini art space, Cha'er Hutong courtyard, Beijing by ZAO/standararchitecture

The Naga Site Museum, a building with no windows made of in-situ, compressed concrete made from local sands and aggregates. 
Naga Site Museum, Sudan by David Chipperfield Architects

Auburn University Rural Studio has created a space with materials that will later be donated to two Venitian charities: the Assamblea Sociale per la Casa and Cooperativa Caracol who, respectively, renovate vacant social housing and shelter homeless people. Rural Studio asked the local organisations what they needed and used part of what they requested to build the installation. 

The Theatre of the useFULL by Rural Studio

#5 Social Aspects 
The Polish Pavilion addresses with the exhibition Fair Building the ethical issues facing the most underrepresented participants in architecture: the construction workers. 'Labour conditions, lack of respect and site accidents plague the industry but these difficulties are often overlooked in favour of deadlines, budgets and the public demand for new spaces', states curator Dominika Janicka and asks whether a 'fair trade' mark is achievable in the industry.
Full-scale scaffolding structure for Fair Building. Photo: Polish Pavilion

Infographic showing the human cost of an average housing project, Fair Building, Polish Pavilion

Side notes offer extra information about accidents, migrant workers and unpaid overtime

Celebrating Our Human Footprint by Prof. Michael Braungart of EPEA advocates for building like trees, that is, to design buildings that clean water and the air, make oxygen, generate soil and nutrients. 
Celebrating Our Human Footprint by EPEA

Juntos, the exhibition at the Brazilian Pavilion, highlights stories of  change and architectural achievement. One of these stories is the Programa Vivenda, a Sao Paulo programme that helps low-income families with home refurbishments.

Programa Vivenda Sao Paulo

Rebootati, Uruguayan Pavilion

Reporting from the Front Biennale Architettura 2016 | Venice, 28 May - 27 November 2016

#inequality, #segregation, #peripheries, #migration, #informality, #sanitation, #waste, #pollution, #naturaldisasters, #housingshortage

Venice Architecture Biennale 2010

November 24, 2010

This year's Biennale was a sensual exhibition with no trace of the architectural complexities and ego show-offs of past editions. Displaying very few models of recently completed signature buildings, the show has focused on the feeling of space. 

The 12th Architecture Biennale curated by architect Kazuyo Sejima from the Tokyo-based Sanaa practice came to a close last Sunday in Venice with a record attendance of 170,801 visitors. The theme "People Meet in Architecture" was wonderfully explored in the several spaces created with conventional building materials and others less conventional such as light, water, sound, clouds, wind, mesh cubes and even birds. Simply and unpretentiously done.

The Arsenale was once again the setting for the large and spectacular. One of the first installations was the 3D film by Wim Wenders If Buildings Could Talk featuring the new Rolex Learning Centre in Lausanne by Sanaa. The film is a time-lapse through a normal day in the building. The camera strolls in and around the building occasionally zooming to the users and their activities while the sound is a combination of solemn music and the words of the building talking to its users.

Cloudscapes (picture above) by Transsolar and Tetsuo Kondo architects is an indoor cloud created by pressure and temperature differences in the room and Your Split Second House (picture below) by Olafur Eliasson a pitch black room with swirls of water coming out of hanging hoses captured by strobe lighting.

Getty Images

Wind Wall by Fan Yue and Wang Chaoge for the Chinese Pavilion at the Giardino delle Vergine. "There won't be a real wall in our work at the Biennale, but audiences can sense it with their bodies while getting very close to it" explains Fan Yue to the Global Times. "We use wind and light to create a wall that does not exist" he says. To enhance the illusion of a wall they also use sculptural birds that change their flight patterns as if being forced to when hitting a "wall of wind".

The Golden Lion Award for the best pavilion has gone this year to Bahrain who is first time represented at the Biennale. Their installation Reclaim is an exploration of the decline of the sea culture in the island and recreates 3 fishermen's timber huts that have been displaced from their original sites on the island's waterfront.

Photo David Levene for the Guardian
Below one of Bahrain's fisherman's hut photographed by Camille Zakharia.

Moving on to the Giardini the Italian Pavilion showed Italia 2050 (photo below) an open-source concert hall installation done in conjunction with Wired Italia.

Fray Foam Home by Andrés Jaque Arquitectos

Aldo Civic presented Rethinking Happiness, a research project on new possible communities.

Preservation by OMA / Rem Koolhaas (Golden Lion 2010 for Lifetime Achievement) looks on how to deal with the existing. Below Lagos a city with 18 million people and an urban mess in appearance. "Closer inspection though shows its overlay of efficient systems of trade, transport, reclamation and exploitation".

The Dutch pavilion presents Vacant NL a foam city representing the many state-owned, unoccupied buildings in the Netherlands. The installation is a call for the intelligent reuse of inspiring vacant buildings.

Below installation at the US pavilion.

The 12th Architecture Biennale, Venice 29 August - 21 November 2010

Kazuyo Sejima and Ryue Nishizawa founded 1995 the practice SANAA in Tokyo. They are responsible for the design of the Serpentine Pavilion 2009 and the Rolex Learning Centre in Lausanne and have been awarded the Pritzker Architecture Prize 2010. Kazuyo Sejima is the first woman to direct the architecture sector of the Venice Biennale. 

Pictures with no caption are by PS
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