Burle Marx' Hideaway in Barra de Guaratiba / Rio de Janeiro

December 29, 2010
29 December 2010

The Sitio Burle Marx is a delightful place 45 minutes away from Rio with wonderful gardens and inspiring open spaces. It has views over an estuary and the Mata Atlântica (tropical forest), interesting concrete pergolas embedded in vegetation and colourful hand painted tiles. Impressive also Marx' collection of Scandinavian and Murano vases, ex-votos and pre-Columbian objects.  

Roberto Burle Marx / São Paulo 1909 - Rio de Janeiro 1994 / Brazilian landscape architect.
At the age of 4 he moved to Rio, Leme, with his family and later with 18 to Germany to study music and painting. A highlight of his German stay was his visit to the Dahlem Botanical Gardens in Berlin where he became acquainted to the Brazilian tropical plants that he started using when back in Brazil.

1949 he bought the Sítio Santo Antônio da Bica (today Sitio Burle Marx) to store his collection of plants. The Sitio was an 80ha estate with an old country house and a small XVIII century chapel dedicated to Saint Anthony. Burle Marx refurbished the old house and built an extension, while allegedly architect Lucio Costa restored the chapel. Burle Marx lived in the Sitio for 45 years and used it as his atelier, as venue for his concerts, feasts and generally as a get together place for friends and colleagues. Among his visitors Le Corbusier, Walter Gropius and Pablo Neruda.

His work:  
Copacabana Beach promenade, Flamengo Park in Rio, Ibirapuera Park in São Paulo and Pampulha Gardens in Belo Horizonte.

Other Sources:
A mesa com Burle Marx (At the table with Burle Marx) by Claudia Pinheiro, 2008, Editora Batel
Photos by PS

Sitio Burle Marx / Estrada da Barra de Guaratiba, 2019 / Barra de Guaratiba / Rio de Janeiro  
T (021) 410-1412 / 410-1171  
Open by appointment only

James Turrell: Challenging Perception

December 14, 2010
The recent show at the Gagosian has been a wonderful opportunity to experience Turrell's latest on light/ colour/ space and to keep up with the Roden Crater project.  

James Turrell's has been exploring the possibilities of using light as a medium of perception for the past 45 years. The Roden Crater project, possibly his largest artwork, is designed to make the viewer feel the physicality of light. Since the 70s Turrell has been creating tunnels and chambers in this dead volcano crater in the Arizona desert and aligning them with celestial events such as lunar cycles and solstices. The experience will be unique, with no 2 visitors experiencing the same condition.  This "naked-eye observatory" is a work in progress and no date for a public opening has been set yet. The project was represented in the exhibition by pictures and 2 bronze and plaster models.

Allegedly the most interesting part of the exhibition was a white-painted metal sphere called Bindu Shard to be experienced by one person at the time. During the 15-minute optical voyage the visitor is bombarded with high-speed flashing to trigger a phenomenon called the Purkinje effect. "This is the secret of the bindi spot," Turrell says, "the spot you see when you close your eyes and meditate. The colour is only in your mind, there is no thing' in there, you are only dealing with light and space, and that triggers perception". Sadly the capsule sessions were fully booked and this makes me another disappointed visitor who missed the acid-trip-like experience.

Still, plenty to experience. Dhatu is a white room where light is projected into space
, creating a formless landscape without horizons. The experience is similar to skiing in whiteout conditions.

Roden Crater
Roden Crater model

"Through light, space can be formed without physical material like concrete or steel. We can actually stop the penetration of vision with where light is and where it isn't. Like the atmosphere, we can't see through it to the stars that are there during the day. But as soon as that light is dimmed around the self, then this penetration of vision goes out. So I'm very interested in this feeling, using the eyes to penetrate the space."  James Turrell

Dhatu 2010. Photo by Florian Holzherr
Dhatu 2010. Photo by Florian Holzherr

Sustaining Light 2007

I've been fascinated by James Turrell's work since I saw the pictures of his light installations at the Mondrian Hotel in LA. It was time ago, in 1997, and it was the first time I saw light being used to change the perception of space rather than to illuminate it. It took me a couple of years to finally be in one of his spaces. The chance came on 2000 with Night Rain, a walk-in light sculpture for the Millenium Dome's Faith Zone and later on 2006 with the exhibition A Life in Light at the Louise Blouin Foundation in London. Both were simple experiences with no message but with a huge effect on your mind.

One of Turrell's most interesting experiments are the Skyspaces: generally circular white-walled rooms with a bench around the circumference and a hole on the roof. You sit or lay and contemplate the sky but the experience is more sublime than what it sounds, since he carefully balances the interior and exterior light altering this way your perception of the space and the sky which seems to be within reach.  Turrell has created a few Skyspaces in Britain including in Kielder Forest in Northumberland, at the Yorkshire Sculpture Park and at Houghton Hall in Norfolk. He also created a temporary one in Penzance, Cornwall, called Elliptic Ecliptic to view the solar eclipse on 11 August 1999.

James Turrell   
13 October - 10 December 2010
Gagosian Gallery / 6-24 Britannia St / London WC1X 9JD
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